Mary Cassatt paintings were products of the Impressionist movement in the later part of the 1800s. They were the outcome of a study of the works of the old masters of Europe. Mary left for Paris in 1866 and began her private art lessons in the Louvre.
Artistic Mary Cassatt paintings are declarations of modernity and demonstrations of her rejection of several traditional artistic conventions, despite their conservative and tasteful surroundings. Mary denies the usual compositional primacy given to human forms. She gives inanimate objects equal priority with her figures.
Mary Cassatt paintings shows Mary's dislike for narrative and her devotion to surface arrangement and color as well as to the most advanced artistic principles of her day. Mary is one of a few women, and the only American, to join a group of independent artists, later to be known as the Impressionists. Her invitation to the group came from Edgar Degas.
Andrew Wyeth paintings go against the grain, except for the early watercolors in Maine, which Andrew dismissed as being part of his blue sky period. They are an epoch of art history devoted to the abstract and the visually obtuse.
Throughout the 1920s, Andrew Wyeth paintings were drawn in a much slower pace, with greater attention given to detail and composition, and less emphasis on color. They were alternately done using two mediums, i.e., egg tempura and dry brush watercolour.
Occasional endeavors to share with the world, the underlying emotional and spiritual impulses felt by its artist are the Andrew Wyeth paintings. Their realism is tinted with a romantic nature. According to Andrew, the creative process has found a vital part in free, dreamlike and romantic associations. This quality in his work is a sure-fire guarantee that they will be remembered indelibly, if not fondly.
Artistic Mary Cassatt paintings are declarations of modernity and demonstrations of her rejection of several traditional artistic conventions, despite their conservative and tasteful surroundings. Mary denies the usual compositional primacy given to human forms. She gives inanimate objects equal priority with her figures.
Mary Cassatt paintings shows Mary's dislike for narrative and her devotion to surface arrangement and color as well as to the most advanced artistic principles of her day. Mary is one of a few women, and the only American, to join a group of independent artists, later to be known as the Impressionists. Her invitation to the group came from Edgar Degas.
Andrew Wyeth paintings go against the grain, except for the early watercolors in Maine, which Andrew dismissed as being part of his blue sky period. They are an epoch of art history devoted to the abstract and the visually obtuse.
Throughout the 1920s, Andrew Wyeth paintings were drawn in a much slower pace, with greater attention given to detail and composition, and less emphasis on color. They were alternately done using two mediums, i.e., egg tempura and dry brush watercolour.
Occasional endeavors to share with the world, the underlying emotional and spiritual impulses felt by its artist are the Andrew Wyeth paintings. Their realism is tinted with a romantic nature. According to Andrew, the creative process has found a vital part in free, dreamlike and romantic associations. This quality in his work is a sure-fire guarantee that they will be remembered indelibly, if not fondly.
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