Matisse paintings began as still-lives and landscapes in the traditional Flemish style with reasonable proficiency. Henri-Emile-Benoit Matisse was a French artist, draughtsman, printmaker and sculptor, primarily known as a painter.
The early Matisse paintings tended towards the gloomy, due to the fact that Henri used a dark palette in accomplishing them. It was a rebellious reputation that his first contemporary art experimentations garnered.
It was between 1897 and 1898 that Matisse paintings took a complete change of style with their introduction to Impressionism. The first masterpiece among the Matisse paintings was The Dinner Table, completed in 1897. It was considered radical with its impressionist aspects at the time.
Henri's rebellious talents were displayed in Matisse paintings by 1899. They, however, did not have a clear direction. Sculpture became the discipline Henri turned to when he got stuck with his paintings. Sculpture helped Henri organize his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
Exemplified in Birth, The Deal and A Holy Family, the early Marc Chagall paintings featured fabulous and metaphoric images of everyday life. Referred to as the quintessential Jewish artist of the 20th century, Marc Zakharovich Chagall was a Russian-French artist.
There was a demonstration of a perfect feeling for colors and a mastery of the Fauvism methods in Marc Chagall paintings. They also exemplified a mastery of new trends and tendencies. Among these new trends are Cubism, Futurism and Orphism. They were however reshaped in the Marc way. This reshaping is clearly shown in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar were some of the Marc Chagall paintings exhibited during this period in Marc's life.
War was a reflection of human grief and hardships during the war. The strongly religious Marc Chagall paintings, Red Jew and Feast of the Tabernacles were a result of the Jewish persecution intensification. Filled with love towards a woman named Bella, the last aforementioned 4 Marc Chagall paintings were considered lyrical works.
The early Matisse paintings tended towards the gloomy, due to the fact that Henri used a dark palette in accomplishing them. It was a rebellious reputation that his first contemporary art experimentations garnered.
It was between 1897 and 1898 that Matisse paintings took a complete change of style with their introduction to Impressionism. The first masterpiece among the Matisse paintings was The Dinner Table, completed in 1897. It was considered radical with its impressionist aspects at the time.
Henri's rebellious talents were displayed in Matisse paintings by 1899. They, however, did not have a clear direction. Sculpture became the discipline Henri turned to when he got stuck with his paintings. Sculpture helped Henri organize his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
Exemplified in Birth, The Deal and A Holy Family, the early Marc Chagall paintings featured fabulous and metaphoric images of everyday life. Referred to as the quintessential Jewish artist of the 20th century, Marc Zakharovich Chagall was a Russian-French artist.
There was a demonstration of a perfect feeling for colors and a mastery of the Fauvism methods in Marc Chagall paintings. They also exemplified a mastery of new trends and tendencies. Among these new trends are Cubism, Futurism and Orphism. They were however reshaped in the Marc way. This reshaping is clearly shown in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar were some of the Marc Chagall paintings exhibited during this period in Marc's life.
War was a reflection of human grief and hardships during the war. The strongly religious Marc Chagall paintings, Red Jew and Feast of the Tabernacles were a result of the Jewish persecution intensification. Filled with love towards a woman named Bella, the last aforementioned 4 Marc Chagall paintings were considered lyrical works.
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